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Last weekend, on the recommendation of a friend who had served in Afghanistan, I watched the Tina Fey's film Whiskey Tango Foxtrot, about an American TV journalist's time in Kabul. It reminded me of how many Western poseurs there were in Kabul. Of course, for the sake of the film some things were exaggerated. I've been to the Chinese restaurant featured in the film, admittedly only for lunch, and it was no where near as raucous as the celluloid version. When I was at Kandahar airport in 2002 the media presence was almost without exception composed of highly experienced journalists. But when I was in Kabul three years later I came across a number of poseurs, the majority of them immediately identifiable by their trendy suede Australian boots, masquerading as journalists. They seemed more interested in getting into each other's underwear than what was happening to the Afghans. Some were rich kid war tourists - I could almost hear the languid tones of some influential uncle informing a newspaper editor "Biffy so-so wants to be a war photo journalist". Some of the others were another form of rich kid; the kind who can afford to effectively buy their job through participation in a newspaper intern scheme. Sadly, media bosses love these characters because they work cheap. And even more sadly many of them, due to lack of real reporting experience, were easily gulled and manipulated by Taliban spokesmen - often very smart savvy people. It's not the poseurs' faults, it's the twerps back at head office who use them. The Taliban's war is as much fought through the media, both traditional and social, as it is with roadside bombs and rocket launchers.  


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